Blida: The champagne glass of the people

Put the flute down!

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This is a scene that only happens in the French Champagne region. I’m at my nephew’s school fair, eating fries and sausage on a paper plate, with a glass of champagne. The bottle cost less than €20 (£17) and is set on every biergarten table. Nobody pays it that much attention, makes a fuss or a grand discourse when a new one pops open. All the prestige and ritual that usually surrounds the uncorking of the luxurious sparkling wine has vanished. That feeling of normality is reinforced by the glass choice: a blida. Small, stackable and almost unbreakable, the blida holds 80ml of liquid, compared to 125ml for a flute or a coupe, allowing more glasses to be filled from a single bottle.

“It’s a simple rustic glass,” says Sébastien Boever, oenologist and co-owner of Champagne Boever A&S, in the prestigious montagne de Reims. “Its image is a little less flashy than a flute, it has a friendly and festive feel, which is why you see it at village and school fairs.” 

This glass wasn’t originally created to have champagne poured in though. The name itself shares its story: during the French colonisation of Algeria, in the early 20th century, the glass was manufactured in Reims and exported to Blida, where it was used to drink the local mint tea. Then, the Algerian war for independence happened in 1954 and exportations plummeted. Another use had to be found for the blida and champagne was the answer. “It’s a winemaker’s glass,” Sébastien says. “It’s still being used during the harvest, when break time comes around the blidas come out.”


It remains synonymous with simplicity and conviviality in Champagne

At Épernay’s Champagne Wine and Regional Archaeology Museum, little information is delivered about the glass: “Once plain and translucent, it is now being modernised with more luxurious versions, engraved and decorated, sometimes to order. Yet it remains synonymous with simplicity and conviviality in Champagne.” The museum displays one Moët & Chandon engraved crystal blida from 1932, hinting that the glass was even used in Champagne before it left Algeria. 

Sébastien Boever won’t lie: the blida is not the best for champagne tasting. “A wine needs to be swirled to release its aromas, but that’s not possible with a blida because it’s small and often filled right to the brim,” he says. “You don’t see many bubbles and it goes flat fairly quickly. But that’s not much of a problem, since it’s a small vessel and gets drunk fast.”

To this day, blida remains an institution in Champagne. You still see it in weddings, baptisms (with engraved glasses working as a souvenir for the guests) and big family gatherings. For the new year or France national holiday, it’s also common for rural towns to host a reception where people share a toast with a champagne blida and a piece of brioche. For tourists looking to discover this typically Champenois quirk, I urge you to step away from the Avenue de Champagne in Épernay and the big champagne houses in Reims: head out to explore the winegrowers of the Côteaux Vitryats or the Côte des Bars, where you can be sure to find yourself tasting from a blida.


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