Turning heads

With an emphasis on modern craft styles, sustainability and Italian provenance, LZO is winning new fans at home and abroad

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The gorgeous Veneto town of Conegliano is sheltered by the foothills of the Italian Alps, and the views are stunning. Inside the winding centre, where there are no vistas of rolling Italian hills, there are frescoes, historic buildings, and homes and shutters painted rich shades of russet and brown, known locally as “Brandolini red” after the deeply-coloured red wine made here. But we’re not here for the wine, even though Conegliano is the birthplace and grand centre of the Prosecco region. We’re here for the beer.

“LZO was founded with a focus on quality, extreme innovation and local ingredients,” says Jacopo Lorenzetto, owner of LZO Brewing. “Our mission is to transform the common perception of beer by producing a diverse range of styles, each interpreted with a contemporary flair.”

For a part of the world that loves wine and sees beer as a ‘pils-or-nothing’ sort of affair, LZO was quite a leap of faith. That’s something Jacopo is used to, however, having moved all over the country to pursue his life goals, as did the brewers who joined him. “LZO stands for Lisbon, Zagreb and Oslo, the places where all of our first brewers lived and worked before they came here,” he says. Having studied law in Milan, Jacopo decided the city life was not for him, and after moving back home to the beautiful landscape of Conegliano, he turned his attention to the delicious and inspiring world of craft beer. In addition to starting a brewery, Jacopo and his dedicated team built a tap room and beer garden in the heart of Conegliano, bringing great beer to the streets and introducing the local population to the concept of beer gardens, a distinctly German affectation we’ve all learned to love.


LZO stands for Lisbon, Zagreb and Oslo, the places where all of our first brewers lived and worked before they came here

“This space quickly became a cultural hub,” he says. “Hosting live music events, book presentations, various courses, and showcasing the work of several international street artists.” This connection to the arts and creativity as a whole has always been important to the LZO gang; perhaps growing up in a place where Renaissance art is around every corner has something to do with it. “Creativity is an essential pillar of our vision, captivating us just as profoundly as the craftsmanship behind our work,” says Jacopo. “Aesthetics play a crucial role in our narrative, shaping the way we express our identity and engage with our audience.” 

This creative narrative is perhaps best displayed in LZO’s Drop Out range of beers — each design for the cans was created by a different local artist, showcasing not just the unique style and quality of LZO beers, but of the people of Conegliano themselves. “We revel in the art of creative storytelling,” says Jacopo. For him, LZO’s beers, personality and tap room is “...an ongoing dialogue between artistry and authenticity.” The brewery saw local demand growing for more unusual and creative beers. “We noticed people wanted novelty and innovation. [With “Drop Out”] We create one shot products that are available only until they’re sold out, making them truly exclusive. We follow a quarterly release schedule, introducing a new beer every two weeks to keep things fresh and exciting. Both lines reflect our dedication to crafting great beers, whether through steady favourites or exciting new releases.”

The idea of authenticity is something many brewers in the craft beer industry battle with on a daily basis. Authenticity is what us drinkers appreciate about our local, independent breweries; it’s why we choose them over multinational sell-outs. But authenticity has come to mean something else in addition to that. In 2025, ‘authenticity’ encapsulates everything we feel is ethically responsible about a brewery, from their ownership to the way they treat the environment. Jacopo and his team at LZO realised early on that they needed to create a more sustainable way to brew and sell their beer to align with their personal commitments towards sustainability and environmental action. 


From the start, the brewery moved to using a canning line as soon as possible to reduce their carbon footprint — glass is heavy to ship — and stopped using plastic KeyKegs in favour of stainless steel as soon as they were able. The team are committed to using local ingredients too, including barley from their own farm in Noventa di Piave just a half-hour drive away, and hops from local suppliers. “This approach supports the Italian agricultural supply chain and ensures the freshness and quality of our beers,” he says.

“We have also upgraded the brewery with a system for recovering excess CO2 from fermentation, which we then store and reuse in various stages of the brewing process,” says Jacopo. “We are constantly looking for ways to reduce waste, improve our processes, and contribute to a more sustainable future.”

Despite being renowned the world over as a country of winemakers and drinkers, the increase in interest in beer, especially craft beer, in Italy has exploded. According to Statista data, sales of mid-ABV pale beer in Italy in 2023 was at €1.6bn, and the number of active breweries in the country has grown massively, from a total of 220 in 2008 to 916 active breweries in 2022 when the data was last collected. 

LZO’s core range of nine different beers inspired by American craft beer styles shows just how popular the scene is becoming. And while the growth of the craft beer revolution in Italy is clear to see, there’s still a little while before the country begins its Lambic verticals era. Italian beer drinkers like traditional styles; much like the UK, there are craft beer enthusiasts and then a much-larger group of casual drinkers. LZO tap into that market by holding on to their ‘Cima’ craft lager, winner of the Birra dell'anno 2020 competition, and the ‘Posa’ Italian pils, both of which work perfectly as an aperitivo. You can change the script and still enjoy tradition, and LZO show there’s absolutely nothing wrong with that.

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